on the elasticity of time

…so I’m standing under hot water in a shower in a hotel room in Prague holding a basket of blackberries which I am eating one by one for the sheer joy of it.  After a morning walk through hot sunlit streets in which Jem G. and I wandered about a small museum of Alphonse Mucha and discussed, among other things, the Irish trad. air “She Moved Through the Faire” and Natural Beauty’s Inevitable Response to the Church Expressed Through Architecture in Old Prague.  We are surrounded by old stone, enormous portals and filigree of every description – stone, glass, metals, woods.

The Church of Mother of God before Týn & Clock Tower in the Staroměstské náměstí

At brunch this morning Mick B. sat down and was quickly served perfectly cooked eggs he had unsuccessfully requested the previous day.  Yesterday’s request had been parried with a Dada-esque response: “It’s Monday,” and the waitress had gone about her business.  But Tuesday, today, feels different.  A waiter brings the plate of freshly cooked eggs directly to him, the moment he sits down, as if the kitchen had been waiting all morning for this precise event.  Today weightless possibility mixes in with the ordinary urban atmosphere of grilling sausage, cigarette smoke and horse dung in the central square of Old Prague.  It’s not raining, we’re surrounded by tourists and, across the Atlantic Ocean my poor young niece is dead, another victim of inoperable cancer.  Dead at 26, without children, without a partner but by all accounts she went peacefully, surrounded by friends and immediate family.  It’s far away from where I am now but it’s directly in front of me, too.  I felt her going that morning in the spectacular one hundred and eighty degree rainbow viewed from the top step just before I turned to enter an Airbus 319 in Tegel Airport, bound for Geneva.  I felt her slipping away the evening of that same day during the victorious G3 concert for Guitars en Scene, in Genevoise, France, as the audience fiercely and joyously sang along to Joe’s songs, often overpowering the band.  And I felt her gone that night after the show as we stood in the field under the night sky, halfway between hospitality and the bus, as a monstrous and silent lightning storm filled the entire Western sky, illuminating magnificent cloudscapes over the Swiss Alps in still and humid air.

your rainbow

Hours later we are three buses stopped in late morning at a fueling station along the road to Prague.  Crew members smoke cigarettes near the diesel pumps, downing cold bottled Heinekens.  The storms of the previous evening have moved South leaving behind damp roads and fragrant air.

we have a convoy

Time has no meaning.  One never knows what’s going to happen.  I toss these comfortable platitudes around because my brain fervently needs to understand and make order of what passes for reality.  Eventually I’ll give up trying for meaning.  It won’t be in the glorious art of Eastern Europe.  I won’t find it in the endless horizon viewed from the window seat of a jet beginning it’s sunset descent into Kiev.  It won’t be in finding and purchasing the perfect gift for my now-teenaged daughter (whose thirteenth birthday I missed because we were performing in Amsterdam).  And then, all of a sudden, that meaning will be everywhere, in all things, in the most mundane of things: a clean towel for the shower after the show, slipping on an audio cable as I backpedal from the lip of the stage during the solo section of Ice Nine, or simply feeling comfortable in my skin – that uber groove that makes the solos swing.  An almost sacred conceit: “meaning” everywhere, in all things…as if driving to work, doing laundry, washing dishes and watering plants can be suffused with that same light.

on the Charles Bridge, over the Vltava River

Time is elastic.  The blackberries are delicious.

First show of tour – AmsterAmsterdamdamdam!

The days starts late for us, but the clouds are clearing and the hotel checkout lady tells me it’s the best she’s seen in months.  Outside the gentle breeze brings the scent of the sea and leaves dance under sunlight.

the canal out front of the hotel a perfect day

glorious

I take a quick walk to get some toothpaste and note how close the candy selection is to the dental care section.

two sides to every story

I sit for moment with Mick, Jeff and Fonz as they celebrate the beautiful weather and the start of the tour.  Toasts are made.

The time honored pastime

Jeff relaxes in the sun waiting for our shuttle

At the venue everyone runs around preparing.  Last minute decisions are made, and on the fly choices are choosed.

when you’re on the crew you catch rest when you can.

Tommy our stage left tech, makes sure he knows which basses Philip needs when.

Then, the inevitable happens: we have a show.  First up is Steve Morse and they come on like fire.

Steve Morse and Dave LaRue bring it.

I wander out into the venue to check out the view from the light and soundboards.

behind Alastair our lighting director

from the vantage point of Ace, our front of house sound man

Next up is My Vai, or “Stevie” as Joe has dubbed him for this tour.  He and his band kick it hard.

Philip, Dave and Stevie hold it….hold it…wait for it…

After Steve Vai’s set we come up and play and fuck up a few parts, working out our sections…experimenting a little.  The G3 jam section is sloppy but so very enjoyable.  Afterwards everyone is relieved.  The first show is done and we got through it.

Joe, Steve and Stevie try to remember what happened.

And of course the dressing room has the requisite local oddities.

here we go again…

 

See you in Germany!

rehearsal in Amsterdam

Our second full day in Europe finds us in rehearsal.  This takes place in the Heineken Music Hall, in Amsterdam, a large, modern concrete box with no charm at all but we’re glad to be here nonetheless, to have instruments in our hands and playing.  I’m very happy to re-meet Jem Godfrey, our keyboard player for this tour.  Mike Keneally cannot join us this leg, and he’s missed.  But Jem brings his abilities and charm and very quickly blends right in.  The rehearsal goes well.  Joe offers an easy way to differentiate between the two other guitarists.  “You’re Steve,” he says to Steve Morse, “and you’re Stevie,” he smiles at Vai.  Steve picks up the vibe right away; Stevie explaining that, in the G3 jam section of the show, “anything can happen at any moment.”

if only we could wear uniforms

backstage are often unexplained phenomena

I am sponsored by the fine companies who make these products. I like them!

Jem and I expressing displeasure at our lot.

Bass rigs, now, that’s what I like to see.

(from Left) Steve, Stevie and Joe work out some musical details.

We plow through “You Really Got Me” (The Kinks) with Stevie singing lead and Jem and I backing him up on the “O YEAH!”s.  Next we drop metaphorical acid and launch into “White Room” (Cream) with Jem singing the lead.  It’s got a trick ending so watch for it.  And the closer is (and remains) “Keep On Rockin’ In The Free World” (Neil Young) with Joe singing (or “sort of” singing as he likes to put it).  The last song of the show features Steve, Stevie and Joe dropping some head spinning note clusters followed by sustained three note chords that bend and sway in a most uplifting and parallel manner.  After rehearsal it’s back to the hotel and resting up for the first show, tomorrow night.

arrived alive

We have arrived in Amsterdam and soothed our offended travel-worn bodies with a solid twenty-four hours’ acclimation, much of which is spent in fitful sleep.  Thunderstorms occasionally plow above the city bringing brief but torrential rain.

I can tell that, sadly, this isn’t a language I’ll be learning.

Joe herding his families’ luggage

“I declare I am glad to be alive!”

outside of customs we acquire guides

following our guide through Schiphol Airport, brain sort of functioning

signs and portents are good

our technique for luggage loading does not pass muster with our driver

so many museums…so little attention span

Later in the day I take a short walkabout near the hotel in the old section of Amsterdam. Rain and wind snatch at my umbrella but the air is welcome and bracing on my exhausted face.  Dodging bicycles, trams and strollers I wander slowly.  If I can just stay up a few more hours I’ll be able to sleep through the night and, tomorrow morning, be on local time.  At least that’s how my Dad explained the workings of international jet travel and how to avoid jetlag.

how I feel

a sentiment I can relate to

public art meets Dutch whimsicality

I finally allow myself to sleep after 6pm, local time, having been awake a mere 28 hours.  Not a personal record but all I can manage this time around.  When I awake it’s still raining.  Today is our rehearsal.

hot fun in the summertime…

…except that it’s been rainy and cool in Northern Europe for the past month, with no break in sight.

some of the necessaries of travel

I’ll be swapping one marine layer for another.  A tour booklet, my passport and other necessaries languish on the kitchen counter, in morning light.  I’m filled with a fierce glee.  Not the glee of a barbarian, wading through corpses, nor that of a three year old clutching a new balloon and running towards a playground.  It’s travel fever and, more importantly, a movement towards (not a running away from).

When Last We Left Our Heroes…G3 NZ/AU (from left: Keneally, Valentine, Campitelli, Weiner, Whitman, Bynoe, Jones, Weingart, Lukather, Vai, Satriani)

Flying from SFO to AMS, in comfort.  The summer European leg of the fabulous G3 guitar extravaganza tour begins.  When last we left our heroes (and they are legion) it was in the aftermath of a successful, enjoyable and exciting G3 tour covering two cities in New Zealand and eight in Australia.  Joe (Satriani), Steve Vai and Steve Lukather were the stars.  This European leg will exchange the voluable, intense and hilarious Steve Lukather for Steve Morse, a man I met only very briefly, a long time ago.  I was working sales at a local music store in 1988 and Mr. Morse gave a guitar clinic which I attended.  As a fan of the Dixie Dregs I inquired of him during the Q&A session what he looked for in a bass player.  His response was simple and to the point, and stuck with me.  “Fifty percent chops and fifty percent attitude,” he said.

Next stop: Amsterdam!

Byron Bay Blues Festival

Call is an early 9:30am at the hotel in Brisbane for the two hour ride out East, past the Gold Coast and down to Byron Bay for the big Byron Bay Blues Festival, an annual blowout of 200 bands, five stages and five days of music.  Because there are so many acts all sets are shortened and though the G3 jam will be standard length our individual sets are whittled down to 25 minutes each.  Joe’s set is five songs, Vai and Luke’s are four apiece.  It’s a hot day near (but not near enough) the ocean.

Luke: all teeth and personality

Back on the bus and, as has been the norm on this tour, Luke has gotten us laughing so hard our stomachs hurt.

Joe (R) records Luke's (L) teeth

The teeth were Joe’s idea and he brought along several sets which he handed out.

Jeff likes the back of the bus

The drive wears on and we quiet down into the rhythm of the ride.

Mr. Vai catches up

I see yellow “koala crossing” signs and large bridges built over the freeway that aren’t paved but instead covered with trees and bushes. I imagine these forested pathways are for the koalas, among other creatures, who would stand no chance of survival meandering across three lanes of heavy holiday traffic.  It’s Easter Sunday and not even the observant would be able to stop in time.

this may not be where we're supposed to be

Our driver tries several gambits for entry into the festival, turning around and retracing his steps more than once.  We begin to recognize landmarks and I notice operator frustration in the way the bus is being muscled around corners.  With relief we arrive at the site, park and everyone gets out.  We are told immediately to get back in the bus.  We’re not there yet.

this must be where we're supposed to be

A sign is spied and the hint is taken.

Mick Brigden hands out the laminates

Once we are debouched everyone receives his or her laminate.  Without the holy laminate a backstage orphan would quickly be seized, prosecuted and mulched, the better to return any valuable nutrients not decimated by years of abuse to the soil.  Okay, maybe not but still….you’ve got to hold on to your laminate.  Losing it just isn’t done.  It’s Bad Form, as we’ve mentioned before.  Protocol will be observed.

personalized, no less!

My laminate is A2 level so let’s see what I can get away with at this event.

The Hierarchy of Laminates

Well that’s too bad.  I’m not an Authorized Decision Maker, I can’t tell Security where to go, nor can I escort guests with impunity.  So much for my designs of bum-rushing the show.  But I am distracted in the backstage area….look at all these names…and this is only one of the five stages on only one of the five days of the full festival run.

"Ooooh Sharon, what do you do to these men..."

He's why they can call it a "Blues" festival

saw him at Hardly Strictly in SF: wonderful

it keeps getting better and better

and they make it LOOK good, too

almost cut my hair

no way man! I'm freaking out!

I decide to take a quick walk out to the festival area and am quickly surrounded by wandering multitudes dressed in celebratory attire, much of which is pointed social commentary of a (thankfully) higher sort.  Whales, biodeisel, gender politics, youth and teen culture and green energy organizations are everywhere displaying information, education and outreach.  Many local independent makers offer handmade clothing, jewelry, hats, and shoes as well as various sculpture, painting and other monetized craft pastimes.  A hundred food stalls offer everything imaginable.  I buy a hat from the Sea Shepard people (“Stand By To Ram!”) because they insanely risk their lives by intervening with whalers on the open ocean in an effort to protect diminishing cetacean populations.

Surrounded by all this talent, and since we’re only hard rock act, we absolutely bring it for our final date in Australia.  Though our sets are short the energy is very high, incandescent even.  The crowd responds enthusiastically, deafeningly, though how they can compete with our front of stage volume remains a mystery.

Luke (R), Joe and Vai (L) get some banter in between songs

Why we fight.

without you we ain't nuthin'

The short shuttle from stage back to hospitality finds current Chickenfoot drummer Kenny Aronoff maniacally giving us the Beatlemania Treatment.

Kenny Aranoff does rudiments on the side of the van

Once inside we relax, happy, satisfied but sad too, bittersweet.  This tour is over.

Luke (R) counsels Joe on his New Look

The full moon follows us through gathering dusk for the two hour ride back to Brisbane.  Runner call to the airport is way too early in the morning.  It’s time for the long trip back to the U.S.

A full moon follows us all the way home

Here ends an online diary of G3 on tour in Australia and New Zealand, March and April of 2012.  I fully intend to continue this diary for the European G3 tour in July and August of 2012 as well as a possible South American G3 tour for October 2012.  One never knows what’s going to happen.

Thanks very much for reading.

hell yeah Brisbane!

A city we were vaguely warned about for its conservatism turns out to be beautiful, vibrant and welcoming.  The meandering Brisbane River provides glorious waterfront views and warm winds waft white clouds under starkly azure skies.  Our show is at the Brisbane Convention Center, downtown, near the hotel, every bit as monolithic as the name suggests.  Everything inside the building is far away from everything else, requiring directions, patience, time and strong legs.

in case you were looking

Our shuttle van delivers us to the backstage door in a hangar large enough for aircraft.  Catering is three flights (or was it four?) downstairs from dressing rooms.  The squash soup is as good as any I’ve tasted.

the cereal tour - getting better all the time

Mike Keneally plays my blue bass

The show is very well attended but we’d need to be Dethklok to make use of the entire space, much of which is blanketed over, especially the upper tiers.  Nonetheless a very vocal and appreciative crowd greets every song and each guitar player receives a very warm welcome.  This is the last official G3 show of the tour (tomorrow’s final performance will see us with an extremely shortened version) and everybody pulls out all the stops.  The sets go a shade long – who can blame us?  The crowd goes wild for the G3 jam.  The playing is raucous and irreverent, the sound on stage is good, if a little boomy, but everyone is elevated.  Upstairs again afterwards everybody laughs about clams, tone (or lack of it) and inspiration.

Joe (R) remembers the lines he forgot to sing

O no you didn't! (L to R: Dave, Philip, Renee, Steve)

Luke (L), Vai and Joe (R) after show

(L to R) Luke, Vai, Mick B., Joe, Mike K.

We all shout at each other while recovering from stage volume.  Turning into fanboys and fangirls, we sign tour posters for each other as if we’re signing our high school yearbooks, mementos as the Summer begins.  For the new G3 participants, myself included, it’s been a good-hearted whirlwind of super fun music played with joyful and often hilarious players.  The G3 veterans say it’s the best, most enjoyable, of the series yet.

Tomorrow is the Byron Bay Blues Festival, two hours north of Brisbane.  It’s an enormous affair with five stages, almost 200 acts from all over the world, and very short sets for us – a sort of musical surgical strike.